https://toriamaldonado.com/work daily 0.75 2026-06-24 https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/0c0829f3-bfb2-4122-8d8f-ad82e33bda3b/Marker1_Toypurina%28edit%29.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/c775683a-3a83-4d73-8f25-c072b5fc8d69/IMG_9435.PNG Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/e079cc29-5eb8-40b8-81e9-db1d62d5e21c/Xochiquetzal_NPP_red_ss.jpg Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/e6d6818f-61fa-4f09-89e2-5ecabee1220c/Specialty-Events.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/59b90000-cbf3-469c-8a5b-013a1827568a/The_Heart_Rules_All.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/2aff8ba4-975d-4cc0-8dae-1e57f941cba1/Saying_No.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/f9a5a46a-5d81-44f9-ac1a-6d255599109a/CRSELA_flyer.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1771320339802-M73O9KH4Q1XJZ36H3IF0/EndofJimCrow-RedRoom.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/54a3ad59-4d9b-4216-8845-ba1d28c867cd/rebelhair1_ss.png Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/48e5fcfb-ec46-496f-bace-bb8ee632c1e3/ToriaMaldonado_ThisOpenWound.jpg Work https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1698314791880-YFGYE1EH7ZWUUQ2Q74WW/MaldonadoToria_ThisOpenWound.png Work - This Open Wound, 2023 6’ x 4’ oil and collage on canvas Red: for the anger I carry in my blood, for all the ways my body isn’t mine. Blue: for the grief that comes in waves, crashing into me between cleansing and drowning. Yellow: for the light that engulfs me with its warm embrace — for the moments my skin feels like home. Gloria Anzaldua writes: I stare at the moon, Coyolxauhqui, and its light in the darkness. I seek a healing image, one that re-connected me to others. I seek the positive shadow that I’ve also inherited. With the imperative to speak esta herida abiert (this open wound) before it drowns all voices, the feelings I’d buried begin unfurling. Vulnerable once more I’m clawed by the talons of grief. "This Open Wound/Esta herida abierta” is a self-portrait based on queer Chicana feminist Gloria Anzaldua’s theory called the Coyolxauhqui Imperative. Named after the moon goddess in Aztec culture, Anzaldua’s theory examines the lifelong process of healing from traumatic events that deeply wound the self. The imperative encourages looking at the wounds in order to understand how the self has been harmed and learning how to remake the self in new ways. Anzaldua explores Coyolxauhqui’s dismemberment as a guide to healing and reimagines her as a symbol for the feminine battle of the established order. In the original stone disk depiction, Coyolxauhqui is seen partially nude, decapitated, and dismembered, surrounded with various symbols: her feathered headdress, bells on her cheeks, and blue adornments signify her as a deity; the skull symbolizing death; the red background representing bloodshed; and yellow skin signifying female. In Aztec folklore, she is arranged this way as a form of humiliation — the image of her violent death used as a warning sign to the Aztecs’ enemies. Referencing the striking imagery of the deity’s stone sculpture, I reimagine Anzaldua’s theory through a modern day lens from a Trans non-binary experience. I paint my figure in the same arrangement as Coyolxauhqui: decapitated, dismembered, and partially nude on a disk. However, my figure is surrounded by a collaged mosaic of syringes and vials of testosterone, submerged in a red background while baring top surgery scars and wearing a golden thorned rose on a chain necklace. The disk floats on top of a sea of blues and greens resembling the ocean — the viewer can barely make out the collaged fragmented photos of deceased loved ones and younger versions of myself underneath the paint. The syringes, vials, and scars depict my dependence on gender affirming care but fail to show the hurdles and trauma I’ve experienced maintaining it. It fails to show the fatphobic, transphobic, sexist, AND classist standards that the American healthcare system upholds. Arranging my body this way submerged in red while wearing a golden thorned rose denotes my struggle with healing and coping with sexual assault and violence. The sea of passed loved ones and younger versions of myself become a visual aid for grief. This idea of dismemberment and fragmentation as an ongoing process of making and unmaking provide a space for me to acknowledge these open wounds, all in the effort to reclaim my bodily autonomy. “This Open Wound” shows both the external and internal forces tearing me apart while simultaneously re-making, re-membering, and re-constructing myself in a new form. Never any resolution, just the process of healing. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1698314684377-3LXD9Y0CG4RLLFBC66SE/Even-On-My-Good-Days.jpg Work - Even On My Good Days, 2022 36” x 24” oil and collage on canvas Even on days I feel like I’m looking at me for the first time Even on days the pain isn’t overwhelming Even on days the weight doesn’t feel as heavy Even on my good days, when love doesn’t feel so far away I’m reminded how little joy lasts And it’s best to keep everyone at arm’s length Because some day they’ll use those same arms that once embraced me To turn and suffocate me with Why am I worthy of your violence? What about my humanity? Why can’t you see me? Why can’t you see me past your guilt? Your projection? Why deny yourself when we both can be free. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1609648373071-3Y7Y0L7FMKVS5RP170WR/Mothers_ss.png Work - Mothers, 2021 40” x 40” oil and collage on canvas https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1698314976625-3MX3OGTZZRXKIFG7C5BM/Grandpa_Nacho.png Work - Nacho, 2021 oil on canvas https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1609648388430-H5O1NJ2OQYCYL3F6SKYX/Tough_%26_Tender_ss.png Work - Tough AND Tender, 2019 40” x 30” oil on canvas In "Tough AND Tender," my figure gazes directly at the viewer while standing in front of hanging passion flowers against abstractions of yellows and violets. Commonly thought to assert dominance, my stance creates an unmistakable tension between the flowers flowing around my body. Leaving my figure partially nude represents the struggle to be vulnerable, while coping with the dysphoria I have with my breasts. Passion flowers are double-sexed plants and typically yellow, white, and violet in appearance, colors associated with the non-binary flag in the LGBTQ+ community; I included them to symbolize this connection. My self-portrait exposes the internal struggle to be tender, but facing the outside world with a tough exterior. I place my figure among these flowers as metaphor to reject gender binaries and allow the natural occurrence of femininity and masculinity -- embracing how I am both tough AND tender. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1609648401746-QXGUUOAIHN0V9GHZQOWT/Victoria_%26_Dad_ss.png Work - Victoria & Dad, 2019 32” x 28” oil and collage on canvas This portrait of my late father and I as a newborn incorporates collage, sourced from various old family photos. This creates not only a commemoration of my father, but a family quilt that showcases snapshots meant to revisit childhood memories. Because of my father's passing, I have struggled with the uncertainty of his acceptance over my queerness and gender identity. By weaving my mother and siblings in my painting, their images symbolize the support I desperately seek from my father. 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https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/938b1ede-b4aa-49ec-86d3-5f7f4bbf4243/Marker1_Toypurina_ss.png Work - Make it stand out In 1785, a Tongva medicine woman named Toypurina inspired villagers to take up arms and lead a revolt against Spanish colonizers at the San Gabriel Mission. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/de65dd1e-4d38-4872-8110-3b6c0f28b9c6/toypurina2.png Work - Make it stand out “Toypurina,” 2024 After I finalized the design, it was then given to an engraver to fabricate on concrete. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/79b8de22-5b5c-4a19-b4cb-b9dc8af8343c/toypurina3_ss.png Work - Make it stand out I included Toypurina in this series to memorialize her rightful place in Long Beach history. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/acf2842b-2d47-4020-940b-018a66c8f932/Bath_House_ss.png Work - Make it stand out “Bath House” refers to the Long Beach Purity raids of 1914; the Long Beach Police Department hired two men to find and arrest men engaging in homosexual activity in the city. Their tactics were frequenting bath houses, private clubs, and public parks to solicit gay men. This design has yet to be engraved (TBD). https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/de1ef0eb-c0cc-4370-bc10-14cd9975f71c/Marker2_final_ss.png Work - Make it stand out “2020 Uprising,” refers to Long Beach’s first Queer Pride 4 Black Lives march organized by local community members in response to the George Floyd protests happening during the summer of 2020. This design has yet to be engraved (TBD). https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/ce0018f7-ac8c-4610-bde5-1686bf2f644c/IMG_4732_edit.jpg Work “End of Jim Crow” of the Great Wall expansion https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/f92bf6fe-31ba-42d8-bcdc-fccc051691d2/LACMA_JudyBaca_.jpg Work - Make it stand out The “Farmworkers’ Movement” in progress, at LACMA https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/ff361dbe-1cc6-472e-b498-fd00fa37cffe/IMG_1814_crop.jpg Work - Make it stand out Adding color to the “Farmworkers’ Movement,” at LACMA https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/12c07f3d-ac3b-464c-a120-8358fa8b746a/wounded-knee-70s-detail.png Work ““Wounded Knee” (line drawing) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/5935781a-1917-4e29-a7ec-f9f8eb9cb513/2025.11.10_West-Wall-detail2.jpg Work “Wounded Knee” (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/a3795afc-65e7-4691-9f33-4b5802eb8646/angela-davis-70s.png Work - Make it stand out “Angela Davis and Mass Incarceration” (line drawing) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1771319010698-9BR96AE6GT5024K4FPTW/2025.11.10_North-Wall-01-detail2.jpg Work - Make it stand out Detail of “Angela Davis and Mass Incarceration” (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/faa3ba01-b302-4c27-8728-d1c31b71e335/2025.11.10_North-Wall-03.JPEG Work - Make it stand out “Chicano Moratorium” (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/1a3d1610-9a34-48ca-9731-57bcdeeba6b4/2025.11.10_North-Wall-03-detail1.jpg Work - Make it stand out Detail of “Chicano Moratorium” (left side) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/c2699af5-322f-41ba-83e5-26b0abe7e057/2025.11.10_North-Wall-03-detail3.jpg Work - Make it stand out Detail of “Chicano Moratorium” (right side) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/9c64ea46-c10b-494e-b7dc-3d57ad87abfe/2025.11.10_North-Wall-04.JPEG Work - Make it stand out Segments shown: Partial of “Chicano Moratorium,” “Ruben Salazar,” and “Kent State” https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/9f6aa3a8-f0b2-4817-a1db-e663b03291a9/2025.11.10_North-Wall-04_detail1.png Work - Make it stand out Detail of San Fernando Valley State College Campus (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/28ecf6d1-215a-423b-bc5d-bc8f7786c771/2025.11.10_North-Wall-04_detail2.png Work - Make it stand out Detail of Kent State campus (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/8f899a71-e5b5-4dc3-bd61-10c64620701b/2025.11.10_East-Wall.JPEG Work - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/8d52de47-72f2-4968-b28c-c7679b6fc5cf/2025.11.10_East-Wall_detail1.jpg Work - Make it stand out Detail of “Asian American Solidarity” (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/91c3124d-77ac-431c-b6df-fce79096d9fe/2025.11.10_East-Wall_detail2.jpg Work - Make it stand out Detail of International Hotel Murals (acrylic on panels) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/9740dab1-7165-4023-8624-2e9233c41485/2025.11.10_South+Wall.jpg Work - Make it stand out “Mural Movement” (underpainting) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/d7b8ee1b-1f6d-4bac-b4a2-21719f2dbe04/2025.11.10_South+Wall_detail1.jpg Work - Make it stand out Detail of underpainting (left side) https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/ebf89884-643b-4cc2-ac87-021c2e26da38/2025.11.10_South+Wall_detail2.jpg Work - Make it stand out Detail of underpainting (right side) https://toriamaldonado.com/home daily 1.0 2026-04-03 https://toriamaldonado.com/littlea daily 0.75 2026-04-03 https://toriamaldonado.com/about daily 0.75 2026-06-16 https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/795fdee6-48d8-40d0-a304-36cae2b7d7cd/IMG_0847.png About - ABOUT ME Toria Maldonado (they/them) https://toriamaldonado.com/contact daily 0.75 2026-04-21 https://images.squarespace-cdn.com/content/v1/5c816e3ab10f25a0dab798f5/c7359a07-5ae9-4bb0-ba74-5ae1c21a4d15/tat_contact_page_ss2.png Contact - CONTACT For all commissions and inquiries, please reach out! 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